Intangible Transformations

An inexplicable draw toward large bodies of water has often been noted and it seems to emerge beyond any functional need. This same kind of magical attraction also appears to be true of light. Installation artists, Charles Matson Lume and James Leonard Lawton, recognize this universal appeal of light and they accordingly manipulate luminosity to awaken our visual sense and sensibility while sparking cultural awareness. Both artists’ works occur with this multiple purpose. Employing small, transparent manufactured objects, Lume subtly plays with shadow and light. While these objects represent common overlooked consumer goods, the shadows they create and the critically placed mass collection of these items transforms the small material shapes to become something far greater. As a result, the immaterial world’s luminous presence becomes paramount and reflected tonal patterns prevail. 

Through the juxtaposition of salvaged artifacts with modern technological materials, James Lawton’s installations serve to contrast the past with the present. While repeating this element of distinction, he investigates a different issue per installation piece and utilizes materials that are often heavier than Lume’s. Still, light and shadow remain dominant throughout his presentations. As it is with Lume’s works, Lawton combines industrial materials with “intangible shadows which assume their own sense.” But here the two artists part in practice, since Lawton often prefers to explore reflection through the use of photographs and photographic images screen-printed on acrylic or glass as a way of suggesting “ghost-like remains of past lives.” On occasion, he directly connects with his viewers by calling for hands-on interaction. 

All considered, Intangible Transformations offers a visual phenomenon surpassing the concrete properties that create the art. Concepts of discovery and sensory intrigue are the highlights of this show.